Guide di bitrate e archiviazione per codec e camera
Tabelle di riferimento calcolate con il motore della calcolatrice. Scegli un codec o una camera:
Camere RAW
- V-RAPTOR 8K VV
- V-RAPTOR X 8K VV
- KOMODO-X 6K
- KOMODO 6K
- RED ONE
- ALEXA 65
- ALEXA 35
- ALEXA LF
- ALEXA Mini LF
- ALEXA Mini
- URSA Cine 12K LF
- URSA Mini Pro 12K
- Cinema Camera 6K (Full Frame)
- PYXIS 6K
- Pocket Cinema Camera 6K G2
- URSA Mini Pro 4.6K G2
- Pocket Cinema Camera 4K
- Cinema Camera 2.5K
- VENICE 2
- FX3 / FX6
- EOS R5 C
- EOS C400
- EOS C500 Mark II
- EOS C300 Mark III
- EOS C70
- Z9
- Z8
- Z6 III
- LUMIX S1H (ProRes RAW)
- LUMIX S1H (Blackmagic RAW)
- Ronin 4D-8K
- Inspire 3
- Ronin 4D-6K
Codec
- ProRes 422 Proxy in Full HD 1080p (1920×1080)
- ProRes 422 Proxy in 4K UHD (3840×2160)
- ProRes 422 LT in Full HD 1080p (1920×1080)
- ProRes 422 LT in 4K UHD (3840×2160)
- ProRes 422 in Full HD 1080p (1920×1080)
- ProRes 422 in 4K UHD (3840×2160)
- ProRes 422 HQ in Full HD 1080p (1920×1080)
- ProRes 422 HQ in 4K UHD (3840×2160)
- ProRes 4444 in Full HD 1080p (1920×1080)
- ProRes 4444 in 4K UHD (3840×2160)
- ProRes 4444 XQ in Full HD 1080p (1920×1080)
- ProRes 4444 XQ in 4K UHD (3840×2160)
- DNxHD 36 in Full HD 1080p (1920×1080)
- DNxHD 115 in Full HD 1080p (1920×1080)
- DNxHD 175 in Full HD 1080p (1920×1080)
- DNxHD 220 in Full HD 1080p (1920×1080)
- DNxHR LB in Full HD 1080p (1920×1080)
- DNxHR LB in 4K UHD (3840×2160)
- DNxHR SQ in Full HD 1080p (1920×1080)
- DNxHR SQ in 4K UHD (3840×2160)
- DNxHR HQ in Full HD 1080p (1920×1080)
- DNxHR HQ in 4K UHD (3840×2160)
- DNxHR HQX in Full HD 1080p (1920×1080)
- DNxHR HQX in 4K UHD (3840×2160)
- DNxHR 444 in Full HD 1080p (1920×1080)
- DNxHR 444 in 4K UHD (3840×2160)
- H.264 Standard in Full HD 1080p (1920×1080)
- H.264 Standard in 4K UHD (3840×2160)
- H.264 High Quality in Full HD 1080p (1920×1080)
- H.264 High Quality in 4K UHD (3840×2160)
- H.264 High Bitrate in Full HD 1080p (1920×1080)
- H.264 High Bitrate in 4K UHD (3840×2160)
- H.264 ALL-Intra 400 in Full HD 1080p (1920×1080)
- H.264 ALL-Intra 400 in 4K UHD (3840×2160)
- H.264 ALL-Intra 200 in Full HD 1080p (1920×1080)
- H.265 Efficient in Full HD 1080p (1920×1080)
- H.265 Efficient in 4K UHD (3840×2160)
- H.265 High Quality in Full HD 1080p (1920×1080)
- H.265 High Quality in 4K UHD (3840×2160)
- H.265 HQ in Full HD 1080p (1920×1080)
- H.265 HQ in 4K UHD (3840×2160)
- XAVC-I in Full HD 1080p (1920×1080)
- XAVC-I in 4K UHD (3840×2160)
- XAVC-L in Full HD 1080p (1920×1080)
- XAVC-L in 4K UHD (3840×2160)
- JPEG2000 in Full HD 1080p (1920×1080)
- JPEG2000 in 4K UHD (3840×2160)
- Cineform in Full HD 1080p (1920×1080)
- Cineform in 4K UHD (3840×2160)
- Cineform RGB 12-bit in Full HD 1080p (1920×1080)
- Cineform RGB 12-bit in 4K UHD (3840×2160)
- Cineform RGB 16-bit in Full HD 1080p (1920×1080)
- Cineform RGB 16-bit in 4K UHD (3840×2160)
- AVC-Intra 100 in Full HD 1080p (1920×1080)
- AVC-Intra 200 in Full HD 1080p (1920×1080)
- XDCAM HD422 (MPEG-2) in Full HD 1080p (1920×1080)
- DVCPRO HD in Full HD 1080p (1920×1080)
Progetti workflow come questo ogni settimana?
Formazione certificata Adobe e Blackmagic e consulenza sui workflow di postproduzione di Jorge Mochón — jmochon.training
Formazione certificata Adobe e Blackmagic e consulenza sui workflow di postproduzione di Jorge Mochón — jmochon.training